May - June 2002

The Fractal Nature of Erosion: Mathematics, Chaos, and the Real World

An abstract mathematical concept might eventually help create erosion-prediction models.

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By John M. Fuhrmann

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Mathematical Wonders

It is important to understand the basics of fractal mathematics before delving into how fractals are used to model landscapes. We'll start at the beginning and work our way up to nonlinear fractals, fractal landscapes, and erosion prediction.

One could spend an entire summer contemplating the wonder of one of the first fractals, the von Koch snowflake. Discovered by mathematician Helge von Koch in 1904, this snowflake is a prime example of the fractal geometry related to the problem of measuring Great Britain's coastline.

Figure 1. Four iterations of the von Koch snowflake. To display the final image, we would need to iterate it for infinity.

Often in geometry, we start with a simple shape and branch out to increasingly complicated figures. The same holds true for the von Koch snowflake: We start with an ordinary triangle. Then, innocently enough, we add on another triangle, producing a star shape (Figure 1). Notice that there are actually six new triangles around the perimeter. Next, let's add another triangle to each one of those, producing six new stars and 18 new triangles to further toy with. Remember the fractal nature of Great Britain's coastline? The snowflake is beginning to resemble the complexity of an eroded coastline. But we are not finished yet. To generate the von Koch snowflake in its entirety, we need to go through an infinite number of triangle-adding iterations. Simple geometry of triangles has produced something so strange and beautiful that we need a whole new field of mathematics to cope with it. This new mathematics is, of course, fractals.

Don't pass off the von Koch snowflake as an aesthetic curiosity just yet. There is something almost disturbing about the finished flake. Each time a triangle is added to a side of the shape, it increases the distance of that side by 4/3. Therefore, if our original triangle had sides with distance 1, the sides after one iteration have distance 4/3. This means that the distance around the shape's perimeter has increased from 1 + 1 + 1 = 3 for the original triangle to 4/3 + 4/3 + 4/3 = 4 for the new shape. With each iteration, the distance around the shape increases. After an infinite number of iterations, the von Koch snowflake is finished. If we were to set out to measure its perimeter, we would be baffled. Even though the flake fits neatly onto the page, the length around its perimeter is infinite!

Another common fractal is known as the Sierpinski triangle, discovered in 1915 by mathematician Waclaw Sierpinski. This fractal is generated by drawing triangles within triangles over and over again, ad infinitum. Once we create an infinite number of triangles, we can zoom in on any spot and reproduce the entire Sierpinski triangle again! No matter how many times we magnify the shape, we always get a perfect Sierpinski triangle.

The Sierpinski triangle comes with its own paradox. Suppose instead of drawing triangles in triangles, you were cutting them out. Start by cutting out the large triangle in the center, and then repeat by cutting the center triangle out of each smaller section (Figure 2). Could you ever, even after cutting out an infinity of triangles, carve out the entire area of the original triangle?

Figure 2. Five iterations of a Sierpinski triangle. How many iterations would it take to turn the entire Sierpinski triangle white?

The von Koch snowflake and Sierpinski triangle are certainly bizarre shapes, but it is easier to harness these figures with mathematics than it is with the random coastline of Great Britain. Mathematicians prefer to work out complicated theories with simple shapes before adding in the randomness and nonlinearities found in the real world. After we begin to understand linear fractals, we can attempt to apply them to nonlinear situations.

Closer to Nature: Nonlinear Fractals

Figure 3. There are limitless possibilities for fractal art. The software is surprisingly easy to master, and amazing images can be completed in minutes.

Nature is nonlinear. It is chaotic and defiant of even our most cherished laws of physics. A weather prediction program went awry after running for an hour and gave birth to chaos theory. Weather is inherently chaotic, and forecasters face downright daunting mathematics every day attempting to tell us if it will rain or not. Now, combine the near impossibility of accurately predicting rain with the tedium of predicting wind, snow, ice, and other erosion-causing events. It becomes frighteningly evident that no matter how many super computers we have grinding away, it will take more than chaos theory, classical dynamics, and geological models to predict erosion.

For fractals to be of any practical use in predicting erosion, they would need to be examined in a nonlinear context. Mathematicians took such shapes as the von Koch snowflake and first developed a sound mathematical structure. They then applied the math to nonlinear equations in the complex ("imaginary") plane. From this numerical experimentation came the psychedelic fractal art that is common on posters and T-shirts today (Figure 3).

Figure 4. The famous Mandelbrot set takes seconds to generate and a lifetime to master. Here we have (a) the original set, (b) 4x magnification, and (c) 8x magnification. No matter how many times we zoom in, we will always see this level complexity.

The most celebrated nonlinear fractals are the Julia and Mandelbrot sets. As with the Sierpinski triangle, we can arbitrarily zoom in on these fantastic fractals and see amazing structure at any level (Figure 4). But unlike Sierpinski triangles with their identical self-similarity, nonlinear fractals do not reproduce themselves exactly upon magnification. Each closer look provides an image that is totally new. Adjusting a few initial parameters leads to drastic changes in the final fractal, which is why fractals are so much fun to toy with on idle afternoons. Nonlinear fractals are far more reasonable for modeling geological and living systems. When was the last time you saw a perfect triangle in nature?

On the other hand, when was the last time you saw something as bizarre as the Mandelbrot set in nature? By increasing the complexity of fractals, we make a big step in modeling erosion. Nonlinear fractals are self-similar but not exactly the same under magnification. A single beach might resemble the entire coastline, but we cannot expect it to look exactly the same. Mandelbrot and others soon discovered how to use the new nonlinear mathematics to generate fractal surfaces.

Fractal Surfaces

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With the help of raw computing power, we can manipulate fractals to form impressive landscape images. Fractal landscapes are used in a variety of computer artwork, including movies. Unfortunately, the well-trained eye will quickly raise suspicion about the accurate simulation of real erosion by these fractals. The computer-rendered mountains rarely take erosive processes into account. Even so, fractal landscapes are an important step in unleashing fractal mathematics to the erosion community.

The science of generating fractal landscapes is not as complicated as one would think, but the one major requirement is randomness. Fractal terrains start with–you guessed it–a triangle. Connecting the midpoints of a triangle forms four new triangles. Then the important step is to shift each midpoint out of the page a random distance. Now our shape no longer resembles anything like a triangle; it is three-dimensional and rough. Repeat this process in a fractal-like nature with the smaller and smaller morphed triangles, and the surface gets a rougher, rocky appearance. Add a computer-generated light source, and you end up with fractal mountains that look strikingly real (Figure 5).

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